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Biographies, memoirs, and recorded oral reminiscences will eventually give some sense of the texture of the time in the words of people who no longer feel obliged to attack or defend ideological phantoms. The cultural history of psychedelic drugs, like the cultural history of alcohol, cuts across too many social categories to be easily formulated as a single story. It will ultimately emerge only from the accumulation of separate stories about the people who have used the drugs; only a beginning has been made, and the knowledge we have is atypical, either because it concerns spectacular and unusual events like the Manson cult's killings or the great rock festivals, or because the rare highly articulate commentator, like Timothy Leary or Tom Wolfe, is deliberately taking a participant's point of view and a polemical stance. The immediacy of such journalism and memoirs cannot be reproduced here, and yet any narrative must be partial and ill-proportioned, since the immortalizing light of publicity has touched only parts of the scene.]